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Bruce Springsteen's Born in the USA

Bruce Springsteen's Born in the USA
Your Price: $12.95 CDN
Author: Geoffrey Himes
Publisher: Continuum
Format: Softcover
# of Pages: 144
Pub. Date: 2005
ISBN-10: 0826416616
ISBN-13: 9780826416612

About the Book:

By turns obsessive, passionate, creative, and informed, the 33 1/3 series explores critically acclaimed and much-loved albums by famous recording artists. In this volume music journalist, Geoffrey Himes maps out how Born in the USA became an American rock classic in this track by track review and analysis.

When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of Born in the USA. Hitting his drums with a two-fisted physicality, Max Weinberg cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall. When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, "Nowhere to run. Nowhere to go." It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength — building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riff — it was clear that the singer was ready to make a stand.

About the Author:

Geoffrey Himes has written about music on a weekly basis in the Washington Post since 1977. During that time he has also written about pop music for Rolling Stone, Paste, the New York Times, Jazz Times, the Nashville Scene, the Oxford American and other outlets. He won ASCAP/Deems Taylor Awards for Music Feature Writing in 2002 and 2005. His stage musical, A Baltimore Christmas Carol, was produced in 2005, and his songs have been recorded by Edge City, Billy Kemp and the Kinsey Report.