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Home > Theatre Production > Designer Drafting for the Entertainment World: Film, Theatre, Television, Trade Shows, Amusement Parks, Virtual Scenery, CAD
Designer Drafting for the Entertainment World: Film, Theatre, Television, Trade Shows, Amusement Parks, Virtual Scenery, CAD
Designer Drafting for the Entertainment World: Film, Theatre, Television, Trade Shows, Amusement Parks, Virtual Scenery, CAD
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Author: Patricia Woodbridge Publisher: Focal Press Format: Softcover # of Pages: 372 Pub. Date: 2000 ISBN-10: 0240804244 ISBN-13: 9780240804248
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About the Book:
Designer Drafting for the Entertainment World provides essential information for designers, covering traditional hand drafting techniques as well as computer-based drawing programs. This new text begins with the basic tools and comprehensive coverage of the principles of scenic drafting and goes on to cover professional applications for the stage, motion pictures, television, trade shows, and amusement park scenery. It also includes a chapter on virtual scenery and lighting.
The principles of drafting are explained with simple drawings from the world of scenery as well as many examples of more complex draftings from some of the finest scenic designers working professionally. Patricia Woodbridge has worked professionally in theatre, film and television, and uses examples from all industries throughout the book. Since the examples of drafting are taken from a wide variety of different scenic applications, it gives the young designer a survey of scenic career possibilities.
What they say:
"I have been looking for a book that not only focuses on the technical aspects of theater drafting, but also on why we choose to draft the way we do and how it relates to sketchings and renderings. This book covers that ground exceptionally well." — Michael O’Nele, Univ. of Memphis
"Very good comprehensive view of drafting applied to all areas of the entertainment industry." — Eric Olson, Samford University
“Tells not only what to do, but why. The most complete book on entertainment drafting yet.” — Charles E. Williams, University of Toledo
About the Author:
Patricia Woodbridge is a production designer and art director. Although she now works primarily for the film industry, she taught drafting for 14 years at the Tisch School at NYU. Her work for the theatre includes the New York premier productions of Faith Hope and Charity and The Runner Stumbles, as well as working for Arena Stage and the Julliard Opera. Her film credits include production designer for Johnny Suede and art director for A Perfect Murder, The Object of My Affection, My Father The Hero, and Cadillac Man. She also worked as assistant art director on Meet Joe Black, Conspiracy Theory, City Hall, To Wong Foo, Thanks for Everything, Julie Newmar and Carlito’s Way. |
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