About
the Book:
ACT: The Modern Actor's Handbook is the
result of 30 years of one of North America's most renowned acting
teachers coaching some of the world's most talented screen actors.
They say that behind every good actor is a good acting coach. If
you've ever wondered where accomplished actors go when they need help
with their television and film roles, look no more. David
Rotenberg is the founder and artistic director of the
internationally known studio The Professional Actors Lab in Toronto.
No ordinary teacher, but a master acting coach and mentor to
professional performers, some auditioning for roles, others working
on them. He has taught such actors as Rachel McAdams, Tatiana
Maslany, Scott Speedman, Sarah Gadon, Ennis Esmer, Patrick Adams,
David Hirsh, Jonas Chernick, Shawn Doyle, Rachel Crawford, and Amanda
Tapping to name but a few.
ACT: The Modern Actor's
Handbook is a lively, conversational tour through the concepts at
the heart of the methods used by master teacher David Rotenberg:
states of being, primaries and secondaries, images that you elaborate
up or distill down, modifiers, actions and beats, and more. This kind
of acting is about selecting and not about pretending, and the
obligation of a modern actor is to be compelling. Although his
specific techniques loosely draw on the great acting teachers like
Uta Hagen and Sanford Meisner back to Stanislavski, he teaches new
techniques suited to the current realities of shooting that leave the
director with little time to actually work with an actor. This handy,
pocket-sized book gets right to the point. When you're in need of a
master acting coach's direction and guidance in order to find that
key into a scene, to prepare for an audition, or to find that right
technique to make the art come alive again, this book is a lifesaver.
What people say:
"Simply
put, I don't think I would've found my voice as an actor without
David. Finding his class when I did was one of the luckiest moments
of my career." — Scott
Speedman,
actor
"I
owe my career to David
Rotenberg.
Over the 20 years he's been my teacher and coach, he's empowered me
to develop my own voice within the framework of his techniques."
— Ennis
Esmer,
actor
"If
you find yourself, from time to time, in that very lonely place where
the cylinders won't fire, ACT
has the roadmap for the most crucial task of an actor: getting
present." — Shawn
Doyle,
actor
"David
Rotenberg
has single-handedly had the most profoundly positive impact on the
course of my career and my love of acting."
— Demore
Barnes,
actor
"The expanse of his character
development and insight on storytelling is invaluable. He provides
terminology and structure for things I intuitively feel that give
solid guideposts when lifting a character off the page. David
explores the musicality, status and relationship, primary/secondary
states, Drone Notes, time, environment, and backstory to add depth
and truth that is both relatable and captivating." — Erin
Karpluk, actor
"This is the legacy [David is]
gifting to the world and to generations of future actors. I found it
to be a riveting read, one that I know I'll return to many, many
times. [His] keen ability to articulate these ideas in a concise,
practical, and straightforward manner is truly impressive."
— Jonas Chernick, actor
"When I am looking for an
acting coach for my clients, I always know that I can trust David
Rotenberg to help them bring out their very best
performance. With his direction and guidance, they are able to find
their voice and bring depth and layers to their performance. Often
helping them to win the job." — Jennifer Goldhar,
agent
About the Author:
David Charles Rotenberg is a
Canadian author and educator who has been a master acting teacher for
more than 30 years. He has directed on Broadway, in major regional
theatres, for television, and has an MFA in directing from the Yale
School of Drama. He is Professor Emeritus of theatre studies at York
University, where he taught graduate students for over 25 years. He
also taught at the National Theatre School of Canada, the Shanghai
Theatre Academy, the University of Cape Town, and Princeton. He is
the author of 11 novels and directed the first Canadian play in
the People's Republic of China – in Mandarin.