About
the Play:
Three satiric plays by Oscar-winning screenwriter Ethan Coen.
The Coen brothers have one of the most beloved and critically
acclaimed bodies of work in the history of cinema. One half of the
duo, Ethan Coen made his Off-Broadway debut as a playwright
with Almost
an Evening.
The volume Almost An
Evening contains three one-act plays by Ethan Coen. The
theme is hell – both on earth and in the hereafter. In Waiting,
someone waits somewhere for quite some time. In Four
Benches, a voyage to self-discovery takes a
British spy to steam baths in New York and Texas, and to park benches
in the U.S. and U.K. In Debate,
cosmic questions are taken up. Clever, provocative, and as engaging
as the best fiction, these plays showcase yet another talent of one
of the most celebrated contemporary writers.
In Waiting,
an impatient everyman faces an uncertain future in an uncertain
location that seems to be some kind of waiting room between salvation
and damnation. The anxiety and despair hark back to dramas of the
fifties – Sartre, Beckett, Pinter. (Cast: 1 female, 4 male)
Four
Benches depicts an unlikely meeting in a steam
room between a straight-talking Texan and a disillusioned British
secret service agent. Both men learn from the encounter, though only
one survives it. (Cast: 1 female, 5 male)
In Debate,
the brash, cantankerous Old Testament "judging" God roundly
abuses the kind, benevolent New Testament "loving" God. His
profanity and ill humour receive a startling comeuppance, and further
reversals and changes of point of view lead to a denouement that is
no more preposterous than anything else in the play. (Cast: 2 female,
7 male)
Almost An Evening was first performed in 2008 at Atlantic
Theatre Company's Stage 2 Off-Broadway in New York and ran to
sold-out audiences.
What people say:
"With their macabre humor and
dark sense of irony, the Coen Brothers' films offer a distinctively
skewed view of Americana, appropriating genres from screwball to noir
to convey a bizarre world in which heinous things happen. A similarly
twisted perspective — and a reference frame ranging from Beckett to
Mamet — is applied in Ethan Coen's first solo work for the theater,
Almost An Evening, three short plays that swap
planet U.S.A. for a more abstract universe in which philosophical,
existential and metaphysical questions bounce around." —
Variety
"Theatergoers nostalgic for
the urbane, mind-teasing divertissements that once flourished
Off-Broadway… should leave happily hungry." — The
New York Times
"Boisterous and fun."
— Entertainment Weekly
"Let's hope Coen finds time
to write more plays." — Star-Ledger
About the Playwright:
Ethan Coen is an American screenwriter and producer who has
also written plays, poetry, and short stories. Working alongside his
brother Joel, he is widely considered one of the most visionary and
idiosyncratic filmmakers of the late 20th Century.