About
the Play:
Arcadia
was one of Royal National Theatre of Britain's top 100 plays of the
20th century.
Arcadia has long been a favourite of acting teachers for
Female Monologues, Male Monologues, Female/Female Scenes, and Female/Male Scenes.
Arcadia
is a full-length a mystery-comedy by Tom Stoppard. The author
examines events at an English country estate in 1809 and in the
present day. Mathematics, romance, Lord Byron and other ideas and
feelings contribute to the goings-on in the past, as two academics
attempt to unravel them in the present. Arcadia has earned its
place in theatrical history as a modern masterpiece.
Arcadia
is part detective story and part comedy of manners. In a large
country house in Derbyshire in April 1809 sits Lady Thomasina
Coverly, aged thirteen, and her tutor, Septimus Hodge. Through the
window may be seen some of the '500 acres inclusive of lake' where
Capability Brown's idealized landscape is about to give way to the
'picturesque' Gothic style: 'everything but vampires', as the garden
historian Hannah Jarvis remarks to Bernard Nightingale when they
stand in the same room 180 years later. Bernard has arrived to
uncover the scandal which is said to have taken place when Lord Byron
stayed at Sidley Park. Tom Stoppard's absorbing play Arcadia
takes us back and forth between the centuries and explores the nature
of truth and time, the difference between the Classical and the
Romantic temperament, and the disruptive influence of sex on our
orbits in life – 'the attraction', as Hannah says, 'which Newton
left out'.
Arcadia
premiered in 1993 at the Royal National Theatre of Great Britain, and transferred to Theatre Royal Haymarket in the commercial heart of British theatre, the West End of London for a lengthy and
successful run. It is considered one of the greatest plays of the
last century, winning countless awards including the 1993 Olivier Award for Best New Play – the ultimate standard in British playwriting – as well as the
Evening Standard Award for Best New Play. Arcadia has twice
been produced on Broadway, winning the 1995 Drama Desk Award for
Outstanding Play, and the 2011 Tony Award for Best Revival of Play. The play has become a favourite scene study vehicle in acting classes and workshops and is regularly performed in regional, high school, college, and community theatre productions.
Cast:
4 female, 8 male
What
people say:
"I
have never left a play more convinced that I had just witnessed a
masterpiece." — The Daily Telegraph
"Pure
entertainment for the heart, mind, soul... The best Broadway play for
many, many a season. It is a work shot through with fun, passion and,
yes, genius." — The New York Post
"Stoppard's
richest, most ravishing comedy to date, a play of wit, intellect,
language, brio and...emotion. It's like a dream of levitation: you're
instantaneously aloft, soaring, banking, doing loop the loops and
then, when you think you're about to plummet to earth, swooping to a
gentle touchdown of not easily described sweetness and sorrow ... The
playwright is a daredevil pilot who's steady at the controls ...
Exhilarating." — The New York Times
"Full
of complex ideas and pleasures one expects from this master of
dramatic composition." — Time Out (New York)
"Arcadia,
the play generally regarded as Stoppard's masterpiece… sparkles –
time is magically, heartbreakingly suspended…." —
National Post
"A
dazzling exposition of epigrammatic wit." — Daily
Express (London)
About
the Playwright:
Sir
Tom Stoppard (1937-2025) was a British playwright often hailed
as among the greatest of his generation. Born Tomáš Sträussler in
what was then Czechoslovakia, the family fled at the onset of the
Nazi invasion finally settling in England when he was eight, and
Stoppard adopted the last name of his stepfather. He was catapulted
into the front ranks of modern playwrights overnight when Rosencrantz
and Guildenstern Are Dead opened in London in 1967. He wrote
prolifically for TV, radio, and stage in a career that spanned six
decades and also included a parallel
career as a Hollywood script doctor, much in demand to provide
dialogue to others' film scripts, and shared a best-screenplay Oscar
for his contribution to Shakespeare
in Love. He was
knighted in 1997 and became one of the most honoured dramatists in
British theatre.