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Balm in Gilead
Balm in Gilead
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Author: Lanford Wilson Publisher: Dramatists Play Service (cover may change) Format: Softcover # of Pages: 81 Pub. Date: 1993 Edition: Acting ISBN-10: 0822216272 ISBN-13: 9780822216278 Cast Size: 8 female, 16 male
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About the Play:
Balm in Gilead has long been a favourite of acting teachers for Female Monologues and Male Monologues.
Balm in Gilead is a full-length comedic drama by Lanford
Wilson. Welcome to Frank's Cafe, an all-night coffee shop on
Manhattan's Upper West Side peopled by a makeshift community of
dealers, junkies, hustlers, prostitutes, dreamers and vice. The
economic and social stresses placed on the human condition take
center stage in Balm in Gilead, a critically-acclaimed play
that illuminates the bleak and terrifying world of young exiles and
outcasts who refuse to lose.
Balm in Gilead is set in an all-night coffee shop on New
York's upper Broadway, where the riff-raff, the losers, the petty
thieves, the desperate of the big city come together. The character's
lives are mired in sleaze, addictions, crime and violence, but the
diner offers them a comforting escape, and a sense of community. The
Pulitzer Prize-winning playwright Lanford Wilson based Balm
in Gilead on the all-night Manhattan coffee shop he lived above
in the 1960s. He regularly took his pen and notebook downstairs,
soaking up the desperate, confessional exchanges between junkies,
pushers, hookers, and hustlers. He turned them into a play focusing
on Joe, a smalltime hustler in over his head, and newcomer and
would-be hooker Darlene, two young people who would seem to have the
strength and the need to transcend the turmoil and ugliness of the
life in which they found themselves – but are, instead, crushed by
it. But their loss is quickly absorbed in the maelstrom, as the
others go on desperately seeking the joy and release and purpose in
life which will, most certainly, continue to escape them. One of the
milestones of the dynamic Off-Off-Broadway theatre movement, Balm
in Gilead offers insight into addiction, not only to drugs but
also to hope and love. It also forces its audience to ponder the
choices we make in life, and how we might have done things
differently if given a second chance.
Balm in Gilead premiered in 1965 at Off-Off Broadway's
famed La MaMa Experimental Theatre Club (La MaMa E.T.C.). The first
full-length play ever produced Off-Off Broadway, it played to
sold-out houses for a season. Since
then the play's reputation was solidified in 1984 when it was revived
by Circle Rep and Steppenwolf Theatre Company in a riveting
production directed by John Malkovich and starring Gary Sinise and
Laurie Metcalf. The play has become a favourite scene study vehicle in acting classes and workshops and this large cast play is a staple of college
and community
theatre productions because it gives everyone something meaningful to
do.
Cast: 8 female, 16 male
What people say:
"Lanford Wilson is
the rare dramatist, witty and humorous, who sees all his characters
from the inside … Balm in Gilead is life
itself trapped in a play." — New York Magazine
"When Lanford Wilson
wrote Balm in Gilead, his first full-length
play, he was still in his 20's and the Off Off Broadway theater
movement was young. The play – a naturalistic visit with 29
low-life denizens of an all-night Upper Broadway coffee shop –
caused a sensation at the Cafe La Mama in 1965; witnesses say that
the doors had to be locked to keep out excess theatergoers."
— New York Times
"Wilson's play is highly
theatrical ... Balm in Gilead is a poignant and
haunting production." — Backstage
About the Playwright:
Lanford Wilson (1937-2011) was one of the most
distinguished American playwrights of the late 20th century. He was
instrumental in drawing attention to Off-Off Broadway, where his
first works were staged in the mid-1960s. He was also among the first
playwrights to move from that milieu to renown on wider stages,
ascending to Off Broadway, and then to Broadway, within a decade of
his arrival in New York. His work has also long been a staple of
regional theaters throughout the United States. He received the
Pulitzer Prize for Drama in 1980, was elected in 2001 to the Theater
Hall of Fame, and in 2004 was elected to the American Academy of Arts
and Letters.
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Joe Pintauro, Lanford Wilson & Terrence McNally
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