About the Book:
The only script you can really write in life is your own.
A candid and revealing look at life in television,
Hollywood, and work in the writer's room, from an insider who wrote
for some of the most popular television shows in history – Friends,
Desperate Housewives, and Breaking Bad.
Ever since Patty Lin retired from
television writing at the ripe age of thirty-eight, people have asked
her: "Why would you quit such a cool career?" Especially
when they find out she worked on some of the most successful shows in
television history. But what if achieving your professional dreams
comes at too high a personal cost? That's what Patty Lin
started to ask herself after years in the cutthroat TV industry. One
minute she was a tourist, begging her way into the audience of Late
Night with David Letterman. Just a few years later, she was an
insider who – through relentless hard work and sacrifice – had
earned a seat in the writers' rooms of the hottest TV shows of all
time. The Friends staff had 14 writers. The days were
typically 12 hours long but often stretched well into the wee hours
of the morning. While writing for Friends, Freaks and
Geeks, Desperate Housewives, and Breaking Bad,
screenwriter Patty Lin steeled herself against the indignities
of a chaotic, abusive, male-dominated work culture, not just as one
of the few women in the room, but frequently as the only non-white
person on staff.
End Credits: How I Broke Up with
Hollywood is a funny, fresh, and eye-opening memoir that will
resonate with anyone trying to please their parents, maintain a love
life, and find their way in the world. And it will inspire countless
dreamers to listen to their inner voices and know when it's time to
get out.
What people say:
"A
hilarious and brutally honest memoir about life as a writer in
Hollywood which could only be told by someone who escaped."
— Judd Apatow,
producer of Girls and Bridesmaids and director of 40-Year-Old Virgin
"I
love Patty Lin.
I think she's one of the most talented writers I've ever met. And
she's also a great person. True, she does have a few food issues that
made ordering lunch each day a bit of an ordeal, but she's got a
heart of gold. And we had a blast writing together."
— Paul
Feig,
creator of Freaks
and Geeks
and director of Bridesmaids
"Patty
Lin
is one f*%king brave lady! What do you do when you find yourself at a
bizarre crossroads? You have what everyone in the world wants, but
it's not what's in your heart. It takes courage to trust yourself and
walk away. I am deeply in love with Patty and her tough, funny
Tinseltown tale. This book is more than just a showbiz memoir, it's
the story of a beautiful, creative soul getting back to who she
really is." — Emily
Spivey,
writer for Saturday
Night Live
and Parks
and Recreation
"With
End Credits,
Patty Lin
has given us more than just a story about walking away from Hollywood
to save her soul. This is also a critique of ... the ways a
first-generation Asian American woman must compromise herself for a
laugh-track version of happiness and success in which at first the
sky seems the limit, but turns out to be as limiting as the
perimeters of a TV screen."
— Gina
Frangello,
author of Blow Your House Down
"A
wise, funny, whip-smart, and very moving book, End
Credits
takes us behind the scenes at some of the best-known TV shows of the
last 25 years. You get the dirt, sure – but that's only a part of
what separates this memoir from the pack. Lin takes us on what is
ultimately a brave journey to redemption and wholeness. A beautifully
written book and a fascinating story. Lin's debut shows brilliance
and the promise of more. A stunner."
— Rob
Roberge,
author of Liar:
A Memoir
"Patty
Lin
contains multitudes. Her memoir, End
Credits,
is masterfully written and reminds us that the end of one chapter is
the beginning of another."
— Karen
Duffy,
author of Wise
Up
"End
Credits
is a compulsively readable tale that had me abandoning sleep to keep
turning the pages. In addition to providing a totally riveting
fly-on-the-wall perspective on the cutthroat television industry, it
manages to be hilarious and heartfelt at the same time. A beautiful
memoir – I loved every single moment."
— Alisha
Fernandez Miranda,
author of My
What If Year
"End
Credits
is a sharp, funny, and moving memoir that not only takes you
behind-the-scenes of Hollywood, but also into the heart of a
powerful, creative woman who keeps pushing past her limits. Patty
Lin
is a force of nature – I'm not sure there's anything she can't do –
and her story will no doubt inspire readers everywhere."
— Susie
Luo,
author of Paper
Names
About the Author:
Patty Lin is an American writer and
producer known for Freaks and Geeks, Friends, Desperate
Housewives, and Breaking Bad. She has also written pilots
for Fox, CBS, and Nickelodeon. Her Breaking Bad episode, "Gray
Matter," was nominated for a Writers Guild Award for Outstanding
Script in the Episodic Drama category. She retired from TV writing to
pursue other interests and to write her own book, based on her
memoirs as a producer and screenwriter.