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Fashioning the Nation: Costume and Identity in British Cinema
Fashioning the Nation: Costume and Identity in British Cinema
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Last copy!
Author: Pam Cook Publisher: British Film Institute Format: Softcover # of Pages: 138 Pub. Date: 1996 ISBN-10: 085170574X ISBN-13: 9780851705743
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About
the Book:
When Christian Dior presented his debut 'New Look' collection in
Paris in 1947, Gainsborough Studios in north London had already begun
to refashion British sexuality. The studio’s chief costume designer
was Elizabeth Haffenden and her flamboyantly feminine gowns for the
period costume romances produced by Gainsborough Studios between 1943
and 1950 projected a vision of femininity as both powerful and
erotic. Just as the clearly articulated feminine silhouette of 'New
Look' scandalized those who preferred the masculinised androgyny of
wartime utility clothing, so Gainsborough's spectacular display of
the feminine outraged critics and official agencies dedicated to
constructing a national cinema in terms of quality, aesthetic
restraint and authenticity.
Fashioning the Nation reveals the cultural implications of
this scandal, changing the consensus that, even today, tends to
define British cinema in narrow parochial terms. The heroes and
heroines of Gainsborough's period romances journeyed abroad in search
of new hybrid identities. Pam Cook demonstrates how costume in
these films contributed to the process of redefining national
identity by inviting providing a way for the characters to cross
borders and achieve personal freedom and, in turn, inviting audiences
to imagine themselves as 'European'. Such adventures in masquerade,
she claims, provide a model for cinema spectatorship that is fluid
and mobile, crossing boundaries of nation, class, and gender.
What people say:
"A lively and witty look at
the costume design of British films." — Times
Literary Supplement
About the Author:
Pam Cook is a pioneer of
Anglo-American feminist film theory and a leading exponent of gender
and cinema studies. She worked at the British Film Institute for 15
years, and was associate editor of the leading film journal Sight and
Sound from 1991 to 1994, before being appointed the UK's first
Professor of European Film and Media at the University of Southampton
in 1998, where she has been Professor Emerita in Film since 2006.
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