About
the Play:
Good People is a full-length comedy by David
Lindsay-Abaire. An unemployed single mother is barely hanging on
in this class-conscious comedy about the haves and the have-nots in
present-day South Boston. Will reconnecting with an old boyfriend be
her ticket out, or will he reject her and his own humble roots? Good
People is a funny and profound story that is sure to tug the
heartstrings of its audience.
Good People is set in South Boston, the blue-collar
neighbourhood on the wrong side of the tracks where David
Lindsay-Abaire spent his childhood: where a night on the town
means a few rounds of bingo, where this month's paycheck covers last
month's bills, and where sharp-tongued single mother Margie Walsh has
just been let go from yet another job. Facing eviction and scrambling
to catch a break, she'll do anything it takes to pay the bills.
Hearing that an old high school boyfriend who is now a doctor living
in an upscale suburb is back in town, Margot hopes he may be the
ticket to turning her life around. But is this apparently self-made
man secure enough to face his humble beginnings? Margie is about to
risk what little she has left to find out. With his signature
humorous glow, David Lindsay-Abaire explores the struggles,
shifting loyalties and unshakeable hopes that come with having next
to nothing in America.
Good People premiered in 2011 at Samuel J. Friedman Theatre
on Broadway in New York City and was awarded the New York Drama
Critics Circle Award for Best Play, The Horton Foote Prize, The
Edgerton Foundation New American Play Award, and two Tony
nominations. Since
then the play received its UK premiere in 2014 at the Hampstead
Theatre and has been mounted by regional,
high
school, college, and community theatres.
Cast: 4 female, 2 male
What people say:
"Playwright David
Lindsay-Abaire's Good People is full
of interesting characters and sharply written scenes, which combine
to paint an indelible portrait of a social milieu, the economically
depressed blue-collar culture of Boston's South End." —
Backstage
"There's nothing pure about
the goodness or badness of the folks who inhabit this play.
This
makes them among the most fully human residents of Broadway
these days." — New York Times
"The remarkable thing about
Good People is its refusal to settle into
schematic patterns." — Los Angeles
Times
"Good People
delivers an astute class on the working class." — Chicago
Sun Times
"David Lindsay-Abaire
pays his respects to his old South Boston neighborhood with this
tough and tender play about the insurmountable class divide between
those who make it out of this blue-collar Irish neighborhood and
those who find themselves left behind. The scrappy characters have
tremendous appeal, and the moral dilemma they grapple with — is it
strength of character or just a few lucky breaks that determines a
person's fate? — holds special significance in today's harsh
economic climate." — Variety
"…shot through with aching
authenticity, Good People is that rare play that
is both timeless and completely keyed into a specific moment in
American life—without the need to grasp for topicality. Bringing
the same clear-eyed emotional observation that distinguished his
Pulitzer winner, Rabbit Hole, David Lindsay-Abaire
has crafted another penetrating drama about deeply relatable
issues, albeit this time with more warming doses of humor."
— Hollywood Reporter
"Wonderful … this isn't a
manipulative tear-jerker or a simplistic diatribe. Good
People is poignant, brave and almost subversive in its
focus on what it really means to be down on your luck." —
New York Post
"Tough, genuinely funny and
often deeply moving… the dialogue has a cracking energy and the
beady observation of the class divide constantly rings true… shades
of Mamet, but Lindsay-Abaire has a bigger and far more generous
heart." — The Telegraph (UK)
About the Playwright:
David Lindsay-Abaire is an American playwright, lyricist,
librettist and screenwriter. He is the author of Rabbit Hole,
winner of the Pulitzer Prize for Drama. His other theatre works
include Good People, Fuddy Meers, and Kimberly Akimbo. He is
Co-Chair of the Juilliard School's Playwriting Program.