About
the Play:
John
has become a favourite of acting teachers for Female/Male Scenes.
John
is a full-length drama by Annie Baker. One
cold November night in an eerie Pennsylvanian B'n'B, a cheerful host
houses a young couple whose relationship is disintegrating while the
house and its thousands of inanimate objects look on. John
is a sharp and atmospheric play by Annie Baker
that explores loneliness,
communication, and the question of whether objects do, indeed, have
souls.
John
is about a young couple from
Brooklyn, Elias Schrieber-Hoffman and Jenny Chung, who come to stay
at a bed and breakfast in Gettysburg, Pennsylvania, looking to visit
the historical sites of the famous battlefield. Mertis, the B&B's proprietor, welcomes
them to her overwhelmingly cozy home filled with tchotchkes, dolls,
stuffed animals and a player piano. Mertis cares for her guests, her
sickly (unseen) husband, and her dear, blind friend Genevieve with
consummate grace, and though she has experienced her own share of
suffering, her perspective on life is quite congenial. We learn that
her B&B is the site of a former Civil War hospital, and seems to
be full of strange and possibly supernatural occurrences. Mertis also
provides a real contrast to the young couple, who we learn may be
taking this trip to repair a rift in their fractured relationship.
John
premiered in 2015 at the Signature Theatre off-Broadway in New York
City and was nominated for the 2016 Lucille Lortel Award and the
Drama Desk Award for Outstanding New Play. Time
Magazine
ranked it on its list of Top Ten Plays and Musicals for 2015. The
play has become a favourite scene study vehicle in acting classes and
workshops and
is regularly performed in regional, high school, college, and
community theatre productions.
Cast:
3 female, 1 male
What
people say:
"Annie
Baker's John is so good on so many
levels that it casts a unique and brilliant light." — The
New Yorker
"…orchestrated
with a subtlety and unfailing naturalness that make the play's small
revelations disarming and unexpected. The characterizations display a
miniaturist attention to detail that goes down to the bone…Baker is
never blind to their weaknesses and faults, yet regards them all with
a warm, empathetic eye." — The New York Times
"Baker
is trying to extend to characters in extremis the intense realism –
not stage realism but real realism – usually denied them in plays."
— Vulture
"When
it comes to playwriting, [Baker] is astonishingly clear-eyed. In John
... one character is blind and another wears glasses with a very
strong prescription, but they both benefit from Baker's excellent
vision." — The Guardian
"Baker
knows exactly what she's doing – she gives us just enough to open
up possibilities. What a thrill." — New York Post
"Baker
does not merely tell a scary story. She shows them, piling up like
ghosts of amputated limbs from the war wounded, and makes them
riveting, unpredictable, altogether human theater." —
Newsday
About
the Playwright:
Annie
Baker is a Pulitzer
Prize-winning American playwright. Her work has been produced
at more than a hundred theaters in the U.S. and in more than a dozen
countries. Recent honours include a Guggenheim Fellowship, the
Steinberg Playwright Award and a New York Drama Critics Circle Award.
She is a resident playwright at Signature Theatre.