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The Little Foxes
The Little Foxes
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Author: Lillian Hellman Publisher: Dramatists Play Service Format: Softcover # of Pages: 81 Pub. Date: 1995 ISBN-10: 0822206773 ISBN-13: 9780822206774 Cast Size: 4 women, 6 men
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About the Play:
The Little Foxes has long been a favourite of acting
teachers for female monologues, female/male scenes, and male/male scenes.
The Little Foxes is a full-length drama by Lillian
Hellman. This classic tale of greed, betrayal and all the sordid
ties that bind takes sibling rivalry to unimaginable heights and
reveals how far a ruthless family can bend the rules before they
break each other. A milestone in American drama, this cynical story
of family greed and revenge is
Lillian Hellman's
most popular play, and it is the one most frequently revived.
The Little Foxes tells of the battles between the ruthless
Hubbard siblings. Picture a charming home in the South. Into this
peaceful scene put the prosperous, despotic Hubbard family – Ben,
possessive and scheming; Oscar, cruel and arrogant; Ben's dupe, Leo,
weak and unprincipled; Regina wickedly clever – each trying to
outwit the other. In contrast, meet lonely intimidated Birdie, whom
Oscar wed for her father's cotton fields; wistful Alexandra, Regina's
daughter; and Horace, ailing husband of Regina, between whom a breach
has existed for years. The conflict in these lives has been caused by
Ben's ambition to erect a cotton mill. The brothers still lack
$75,000 to complete the transaction. This, they hope, will come from
Horace, who has been in a hospital with a heart ailment. Horace is
beset by his relatives the first hour of his homecoming, but refuses
to commit himself. Desperate, Leo and his father, Oscar, plan for Leo
to take $80,000 worth of bonds from Horace's safe-deposit box.
However, knowing that he is to be short-lived, Horace has his box
brought to him. Discovering the theft, he informs his wife that he
has willed the bonds to her. He promises to say nothing about the
theft, calling it a loan. Cruelly, Regina recalls their unhappy
married life, causing Horace to be stricken with a severe attack.
Regina refuses to get his medicine upstairs, hoping that the effort
of climbing may prove fatal. Horace collapses. Then Regina blackmails
her brothers into giving her 75% of the business instead of their
planned 33-1/3%, or she will reveal their theft. We feel, however,
that crafty Ben holds the trump card by his parting remark, "What
was a man in a wheelchair doing on a staircase?"
The Little Foxes premiered in 1939 on Broadway at the
National Theatre and ran for 410 performances. The
show enjoyed numerous award-winning Broadway
revivals
and tours and has become a popular choice for school and community
theatre productions.
Cast: 4 women, 6 men
What people say:
"Lillian Hellman's
best-known play is set in 1900 and was first produced in 1939, yet
few will fail to perceive its currency in the 21st-century America of
Donald Trump, with his $14 billion Cabinet. The notion of that
unprecedented concentration of wealth being swept into the country's
highest office on the winds of a populist movement would surely have
elicited a bitter laugh from the socially conscious Hellman, whose
portrait of gender inequality also has contemporary teeth."
— Hollywood Reporter
"Hellman is writing in part
about the transition from old to new South, and the advance of amoral
capitalism. The Hubbards have no scruples about cheating the local
black population, and Ben has married the aristocratic Birdie purely
for the sake of cotton. Hellman is both attacking Southern greed and
suggesting that the family that preys together stays together."
— The Guardian
(UK)
About the Playwright:
Lillian Hellman (1905-1984) is considered one of the most
acclaimed American dramatists of the first half of the twentieth
century. In an era that largely favoured lighthearted romantic plays
and drawing-room comedies, her works explored the human capacity for
malice, the allure of power and money, and the dichotomy between
individual interests and social conscience. She was also the first
woman to be admitted into the previously all-male club of American
"dramatic literature", primarily on the basis of two
enormously successful plays from the 1930s: The Children's Hour
and The Little Foxes.
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