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North of Providence, Dolores, Lady of Fadima
North of Providence, Dolores, Lady of Fadima
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Author: Edward Allan Baker Publisher: Dramatists Play Service (cover may change) Format: Softcover # of Pages: 80 Pub. Date: 1991 Edition: Acting Edition ISBN-10: 0822200910 ISBN-13: 9780822200918
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About
the Play:
"Edward Allan Baker is the real thing, a
hard hitting East Coast playwright, with a firm command of the issues
of the day." — John Patrick Shanley, Pulitzer Prize
Winning Playwright
Dolores has long
been a favourite of acting teachers for Female/Female Scenes.
North of Providence has long
been a favourite of acting teachers for Female/Male Scenes.
This collection of three one-act plays by Edward Allan Baker
were all first produced with
great success by Ensemble Studio Theatre (EST) during the Marathon of
One-Act Plays. North of Providence: A Sister determined to
revive her do-nothing brother to feel on the last day of their
father's life. Dolores: A woman escapes her dangerously
abusive husband and seeks help from a sister who doesn't want to get
involved. Lady of Fadima: Woman who works at a Hospital is
sexually harassed by her Supervisor, gets no help from co-worker.
North of Providence set in working-class Providence, Rhode
Island (where his plays take place, for the most part) is a painful
domestic crisis between brother and sister. On the last day of their
father's life, Carol must convince her despondent, drunk of a brother
to come to the hospital and say goodbye. Through tears, violence and
confrontations the secret that has been eating away at Bobbie,
leaving him in ruin for years, comes out. It's a play about the
buried past and how it can keep on burning us for years, but also
holds the possibility of redemption....forgiveness. The
play has become a favourite scene study vehicle in acting classes and
workshops. (Premiered in 1985; Cast:
1 female, 1 male)
What people say:
"In North of
Providence, Edward Allan Baker takes
a painful domestic crisis and transforms it into a one-act play of
emotional depth and conviction. There are enough conflicts for a
novel or mini-series – distilled to an essential moment…an
exemplar of the one-act art." — New York Times
Dolores takes place in real time on a Sunday afternoon.
Dolores, an abused wife, has sought shelter with her sister Sandra.
Sandra has little sympathy because, as it emerges, Dolores has been
married several times, always to abusive men. Our sympathies are
immediately divided between the two women, and we wait to see who is
in the right. A portrait of sisters caught in repeating patterns of
domestic abuse, it addresses the difficulties women can experience
when speaking out and the barriers they face in accessing support.
Although the play is set in working-class Providence, Rhode Island on paper, the
theme has strong resonance nationally and locally. The
play has become a favourite scene study vehicle in acting classes and
workshops. (Premiered
in 1986; Cast: 2 female)
What people say:
"[Dolores]...is
constructed so adroitly and the work is so telling that the spectator
gets the sensation of being in the room...." — Backstage
"Dolores is the honest
conversation around domestic violence that we need onstage."
— The Huffington Post
In The Lady of Fadima, because her husband is unable to
work a young mother is forced to work as a cleaning woman in a
hospital where her innocence is preyed upon by a threatening and
malicious boss. (Premiered
in 1987; Cast: 2 female, 1 male)
What people say:
"The Lady of Fadima
by Edward Allan Baker, a harrowing account of
the perpetuation of abusiveness." — New York Times
About the Playwright:
Edward
Allan Baker (1950-2021) was a frequently produced New York City
Playwright with over 30 plays to his credit, most notable One Acts
(produced all over the US, Canada, and Europe). He also wrote for HBO and
Showtime, and was awarded The Twenty-Fifth Anniversary Award for
Theatrical Excellence by The Ensemble Studio Theatre. He taught
playwriting at Sarah Lawrence College for twelve years before joining
the Actors Studio Drama School at Pace University faculty in 2006, where he created and led the hugely successful Playwriting Program.
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