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Raised in Captivity

Raised in Captivity
Your Price: $18.95 CDN
Author: Nicky Silver
Publisher: Dramatists Play Service (cover may change)
Format: Softcover
# of Pages: 89
Pub. Date: 1995
Edition: Acting
ISBN-10: 0822214784
ISBN-13: 9780822214786
Cast Size: 2 female, 3 male (flexible casting)

About the Play:

Raised in Captivity has long been a favourite of acting teachers for Female Monologues, Male Monologues, and Female/Male Scenes.

Raised in Captivity is a full-length comedy by Nicky Silver. A dark comedy about twin siblings who deal with guilt, redemption, self punishment, and revealed secrets following their mother's untimely death. Raised in Captivity acts as a satiric mirror for the dysfunction, alienation and depths of depravity possible in a sometimes cold society.

Raised in Captivity explores the guilt and redemption in the lives of two estranged and equally odd siblings brought together by the death of their mother. We meet Sebastian Bliss and his twin sister, Bernadette Dixon, at their mother's funeral, after she dies in a freak showerhead accident. It is a reunion for the siblings, having not seen each other in years. After the funeral Bernadette can barely stop weeping, while her brother is merely irritated by what he feels is her humiliating display of emotion. We follow Sebastian to a therapy session with Dr. Hillary MacMahon, an extravagantly needy woman, who, upon hearing that Sebastian is terminating his treatment, dissolves into a morass of self-recrimination, ending with her stabbing her hand. All the while, Bernadette's husband, Kip, responds to the funeral rather mystically, deciding to eschew his dental practise and become an artist. Bernadette, now pregnant, is reduced to being Kip's model – immobile on the outside, raging on the inside. Sebastian's only real contact with people is in the form of letters he writes to a convicted murderer, Dylan. Attempting to form another human relationship, Sebastian brings home a prostitute and ends up with his throat cut. As he lies bleeding, he is visited by his mother's ghost. Mother and son reveal secrets they couldn't tell while Mother lived: Her children are the progeny of a rapist; and Sebastian had, indeed, loved. Sebastian goes to his sister's home to recuperate and while there becomes obsessed with Dylan. As Bernadette and Kip prepare to leave for Africa with their new baby, Sebastian finally receives a letter from Dylan. In it he explains that his punishment has not alleviated his guilt, but that charity might, and thus he sets Sebastian free from his obsession. The lesson is learnt again as Bernadette sets her husband free to pursue life with Sebastian's doctor, Hillary MacMahon, who had visited Sebastian at his sister's. As the play ends, Sebastian, who has decided to stay and be the baby's father, finally weeps for his lost lover, his mother and everyone he misses.

Raised in Captivity premiered in 1995 at Off-Broadway's Vineyard Theater and received a Drama Desk Award nomination for Outstanding Play. The West Coast premiere was later that year at the South Coast Repertory Mainstage in Costa Mesa, California. The play has become a favourite scene study vehicle in acting classes and workshops and has been performed in regional, college, and community theatre productions.

Cast: 2 female, 3 male (flexible casting)

What people say:

"Raised in Captivity is about guilt, redemption and self-punishment, and, against all odds, it is also very funny … [Silver's] dialogue, which skillfully juxtaposes the banal and the outlandishly whimsical, has the shimmer of an opal … Archly absurdist comedies come cheap these days. finding one with depth of feeling is truly a cause to celebrate." — New York Times

"…funny, original, imaginative and possessed of a furious energy that makes it spin like a top … full of wittily prickly lines and riotous exchanges, and it uses the stage in splashily irreverent ways that can be exhilarating." — New York Magazine

"…by a mile, the best play of the season." — New York Observer

About the Playwright:

Nicky Silver is an award-winning American playwright. He exploded onto the American theatre scene in October of 1993, with the off-Broadway opening of his play Pterodactyls (Oppenheimer Award, Kesselring Award, Drama Desk nomination, Outer Critic's Circle nomination). His plays have been produced extensively in New York City as well as across Europe and as far away as South Korea.

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