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Raised in Captivity
Raised in Captivity
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Author: Nicky Silver Publisher: Dramatists Play Service (cover may change) Format: Softcover # of Pages: 89 Pub. Date: 1995 Edition: Acting ISBN-10: 0822214784 ISBN-13: 9780822214786 Cast Size: 2 female, 3 male (flexible casting)
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About the Play:
Raised
in Captivity has long been a favourite of acting teachers for Female Monologues, Male Monologues, and Female/Male Scenes.
Raised
in Captivity is a full-length comedy by Nicky Silver. A
dark comedy about twin siblings who deal with guilt, redemption, self
punishment, and revealed secrets following their mother's untimely
death. Raised in Captivity acts as a satiric mirror for the
dysfunction, alienation and depths of depravity possible in a
sometimes cold society.
Raised in Captivity explores the guilt and redemption in
the lives of two estranged and equally odd siblings brought together
by the death of their mother. We meet Sebastian Bliss and his twin
sister, Bernadette Dixon, at their mother's funeral, after she dies
in a freak showerhead accident. It is a reunion for the siblings,
having not seen each other in years. After the funeral Bernadette can
barely stop weeping, while her brother is merely irritated by what he
feels is her humiliating display of emotion. We follow Sebastian to a
therapy session with Dr. Hillary MacMahon, an extravagantly needy
woman, who, upon hearing that Sebastian is terminating his treatment,
dissolves into a morass of self-recrimination, ending with her
stabbing her hand. All the while, Bernadette's husband, Kip, responds
to the funeral rather mystically, deciding to eschew his dental
practise and become an artist. Bernadette, now pregnant, is reduced
to being Kip's model – immobile on the outside, raging on the
inside. Sebastian's only real contact with people is in the form of
letters he writes to a convicted murderer, Dylan. Attempting to form
another human relationship, Sebastian brings home a prostitute and
ends up with his throat cut. As he lies bleeding, he is visited by
his mother's ghost. Mother and son reveal secrets they couldn't tell
while Mother lived: Her children are the progeny of a rapist; and
Sebastian had, indeed, loved. Sebastian goes to his sister's home to
recuperate and while there becomes obsessed with Dylan. As Bernadette
and Kip prepare to leave for Africa with their new baby, Sebastian
finally receives a letter from Dylan. In it he explains that his
punishment has not alleviated his guilt, but that charity might, and
thus he sets Sebastian free from his obsession. The lesson is learnt
again as Bernadette sets her husband free to pursue life with
Sebastian's doctor, Hillary MacMahon, who had visited Sebastian at
his sister's. As the play ends, Sebastian, who has decided to stay
and be the baby's father, finally weeps for his lost lover, his
mother and everyone he misses.
Raised in Captivity premiered in 1995 at Off-Broadway's
Vineyard Theater and received a Drama Desk Award nomination for
Outstanding Play. The West Coast premiere was later that year at the
South Coast Repertory Mainstage in Costa Mesa, California. The play has become a favourite scene study vehicle in acting classes and workshops and has been
performed in regional, college, and community theatre
productions.
Cast: 2 female, 3 male (flexible casting)
What people say:
"Raised in Captivity
is about guilt, redemption and self-punishment, and, against all
odds, it is also very funny … [Silver's] dialogue, which skillfully
juxtaposes the banal and the outlandishly whimsical, has the shimmer
of an opal … Archly absurdist comedies come cheap these days.
finding one with depth of feeling is truly a cause to celebrate."
— New York Times
"…funny, original,
imaginative and possessed of a furious energy that makes it spin like
a top … full of wittily prickly lines and riotous exchanges, and it
uses the stage in splashily irreverent ways that can be
exhilarating." — New York Magazine
"…by a mile, the best play
of the season." — New York Observer
About the Playwright:
Nicky Silver is an award-winning American playwright. He
exploded onto the American theatre scene in October of 1993, with the
off-Broadway opening of his play Pterodactyls (Oppenheimer
Award, Kesselring Award, Drama Desk nomination, Outer Critic's Circle
nomination). His plays have been produced extensively in New York
City as well as across Europe and as far away as South Korea.
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