About
the Play:
Finalist for 2012 Pulitzer Prize for
Drama
Winner of 2012 New York Drama Critics Circle Award for
Best Play
Winner of 2012 Lucille Lortel Award for Outstanding
Play
Sons of the Prophet is a full-length comedy by Stephen
Karam.
In an age when modern medicine has a cure for just about everything,
Sons of the Prophet is a dark comedy about one family's
ability to withstand a hailstorm of misfortunes. A refreshingly
honest take on how we cope with wounds that just won't heal, and the
funniest play about human suffering you're likely to see.
Sons of the Prophet is a deeply humorous, unflinching
portrait of grief and loss that depicts a Lebanese-American family in
rural Pennsylvania beset by an absurd string of tragedies. At the
play's center is Joseph Douaihy, a once-promising world-class runner
now sidelined by injury. With unexplained chronic pain and the fate
of his reeling family on his shoulders, Joseph's health, sanity, and
insurance premium are on the line. As Joseph confronts his
deteriorating health, he is also forced to face the death of his
father, an ailing Uncle, and a desperate boss beset by her own
tragedies. Deftly keeping its various storylines in careful balance,
Stephen Karam's play confronts, with abundant intelligence and
great sympathy for human frailty, the inevitability of loss and the
equally inevitable comedy resulting from our attempts to cope with is
consequences.
Sons of the Prophet premiered in 2011 at the Huntington
Theatre Company in Boston and transferred to an extended off Broadway
run at the Laura Pels Theater in New York City. The
play has been
performed in regional, college, and community theatre productions.
Cast: 3 female, 5 male
What people say:
"Explosively funny… one of
the many soul-piercing truths in Sons of the Prophet,
the absolutely wonderful… comedy-drama by Stephen Karam,
is that life rarely obeys the rules of dramatic consistency, or, for
that matter, fair play. Written with insight and compassion, not to
mention biting wit, it shines a clarifying light into some of life's
darker passages, exploring how people endure the unendurable, and not
only survive but also move forward through their blighted lives with
sustaining measures of hope, love and good humor." — The
New York Times
"Ravishing is the best word to
describe Stephen Karam's new comedy Sons
of the Prophet … At once deep, deft and beautifully
made, Sons of the Prophet stares unflinchingly
at the Gorgon's head of grief – the kind of grief on which words
have no purchase… Sons of the Prophet ponders
this hard truth; it makes us consider the unacceptable. Just as
darkness shows off brilliance, the play's poignant comedy makes us
see that facing grief is the best way to ease its considerable grip.
Karam's nuanced, comic storytelling – a delicate weave of the
spoken and the unspoken, the outrageous and the unconscionable –
holds pain and pleasure together in startling equipoise, never
trivializing either." — New Yorker
"This is a major, devastating
new play, elegant and subtle and infused with the kind of wit that
understands how perilously life lingers near the emotional abyss."
— New York Newsday
"Devastating
and thrilling…by turns grave, poetic, wrenching, wry, and madcap,
Sons of the Prophet … defies easy
categorization. And it confirms Karam as a major voice in American
theater." — Vogue
"In a single, dolefully sweet
show, and one of the only new plays to take on the Great Recession at
ground level, we discovered an important playwright in Stephen
Karam … Greatness is prophesied herein: Perhaps all's
well in the future of American playwriting." — New
York Magazine
About the Playwright:
Stephen Karam is an American playwright. He is the Tony
Award-winning author of The Humans, Sons of the Prophet
and Speech & Debate. For his work he's received two Drama
Critics Circle Awards, an OBIE Award and is a two-time Pulitzer Prize
finalist. He grew up in Scranton, Pennsylvania and is a graduate of
Brown University.