About the Play:
Spring
Awakening has long been a favourite of acting teachers for Female/Female Scenes and Female/Male Scenes.
Spring
Awakening is
a full-length drama by Frank
Wedekind,
translated by award-winning author Jonathan
Franzen.
This famously banned German play focuses on a group of late 19th
century German classmates and explores adolescent sexuality and the
emotional consequences if suppressed. The
play occupies
a special place in modern theatrical history as a key work of the
naturalist school and the principal precursor of German
Expressionism.
Spring
Awakening
is set in a small German town in the 1890s, where adolescent boys and
girls grope their way towards knowledge and maturity against the
blocks set up by parents and teachers in the name of "morality".
First performed in Germany in 1906, the play has often been censored
and banned. Yet the play's subject matter – teenage desire,
suicide, abortion, and homosexuality – is as explosive and
important today as it was a century ago. But even more radical was
the unsentimental and brutally authentic comedy with which Wedekind
treated it. The story traces the dawning sexual awareness of four
teenagers, Melchior, Moritz, Wendla, and Hansy, who, in their
painfully funny contradictions – they are at once too innocent and
not remotely innocent at all – remain fresh and unsettling even in
our own sex-saturated culture. Unlike so many works that claim to
tell the truth of adolescence, Jonathan
Franzen's
definitive translation of
Spring
Awakening
offers no easy answers or redemption.
Fruhlings Erwachen was
written
in 1891 and first
performed under heavy censorship in Germany in 1906. Spring
Awakening premiered
briefly in New York in 1917, but had an injunction brought against it
and didn't resurface until 1955 in an off-Broadway production; it
then arrived on the British stage in 1963 for two nights only in a
heavily censored version. Jonathan
Franzen's
version of the text – for so long poorly served in English – is
unique in capturing the bizarre and inimitable comic spirit that
animates almost every line of this unrelentingly tragic play. While
the play is rarely performed professionally, it has become a favourite scene study vehicle in acting classes and workshops and this translation has
been mounted by fringe festival
and
college theatre groups.
Cast: 7 female, 30 male (doubling)
What people say:
"By turns hilarious and
chilling… the culmination of this playwright's work to date….
Riveting theater." — New York Times
"Excellent translation."
— Stage Directions
"It's a great play to shock
the adults with on parents' weekend." — Library
Journal
"Spring Awakening
is the best play ever written about teenagers, and Jonathan
Franzen's fraught yet buoyant translation is the best
I've ever read. In a culture where lies about adolescence prevail,
this funny and honest play is more relevant than ever." —
Christopher
Shinn,
playwright
"Franzen here has navigated
his way between the viciously comic satire and puling lachrymose
melodrama (this latter quite deliberate on Wedekind's part,
reflecting the puling lachrymose self-regard of arrogant adolescence)
quite well, even brilliantly at times, and his grasp of the play's
comedy, particularly in Act 3 Scene 1, is exquisite." —
George
Hunka,
playwright
About the Playwright:
Frank Wedekind (1864-1918) was a journalist and later
secretary of a circus before forming his own theatrical company and
producing and acting in his own plays. He was the author of
twenty-one plays, many of which reflect aspects of his extraordinary
career. Fruhlings Erwachen (Spring Awakening) is
perhaps his best known work. He himself paid for the publication in
1891, though it was not staged till 1906, and like all his plays
aroused great controversy for its sexual outspokenness.
Jonathan Franzen is an American novelist and essayist. He
is the author of five novels, and five works of nonfiction and
translation, including Frank Wedekind's Spring Awakening.
He is a member of the American Academy of Arts and Letters, the
German Akademie der Künste, and the French Ordre des Arts et des
Lettres.