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Home > Plays > Contemporary > Stay Carl Stay, Best Half Foot Forward and Pillow Talk: Three One-Act Plays
Stay Carl Stay, Best Half Foot Forward and Pillow Talk: Three One-Act Plays
Stay Carl Stay, Best Half Foot Forward and Pillow Talk: Three One-Act Plays
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Author: Peter Tolan Publisher: Dramatists Play Service (cover may change) Format: Softcover # of Pages: 89 Pub. Date: 1991 Edition: Acting ISBN-10: 0822210770 ISBN-13: 9780822210771
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About the Play:
Pillow
Talk has long been a favourite of acting teachers for Male/Male
Scenes.
The
volume Stay Carl Stay, Best Half Foot Forward and Pillow
Talk contains three one-act comedies by Peter Tolan.
Written while he writing for the hit sitcom series Murphy Brown,
they deliver stressed-out characters into hilarious situations about
the contradictions and pitfalls of relationships. In each of the
three plays, one-liners and laughs abound as men and women stumble
toward coming to terms with modern relationships – and with each
other. The plays may be presented separately or as an evening of
entertainment. Included are:
Stay
Carl Stay is about a young woman who
drops her demeaning boyfriend for a dog named Carl. Dominated
and taken for granted by her live-in boyfriend, she seeks help from a
rather whacked-out therapist
and is advised to get a dog for company. Pandemonium ensues when Carl
(the dog, played by a human actor) arrives and is far better behaved
than the boyfriend. He soon learns to dance and talk and wins his
mistress' heart. She trades in her crummy boyfriend for a perfect
male dog. A brilliant comedy with a tiny little bit of moral bite!
(First presented in 1991 at Manhattan Punch Line Theatre; Cast: 3
female, 3 male)
What
people say:
"If
all else fails, have an affair with your dog. That's the joke in
Peter Tolan's Stay Carl Stay.
And it's a very funny joke indeed." — Los Angeles
Times
Best
Half Foot Forward is about a group of four buddies in their late
twenties, stir crazy at the end of a week-long vacation in a cabin
located in the wilds of New Hampshire. Far from women and
civilization, their neuroses and insecurities about friendship and
masculinity drive them to outrageous acts of competition, culminating
with a very frank and funny examination of their anatomical
attributes. (First presented in 1988 at Manhattan Punch Line Theatre;
Cast: 4 male)
Pillow Talk is about two men,
Aaron and Doug on the first night of their auto odyssey across the
country, who are forced to share a bedroom and a bed in the mobile
home of Aaron's grandmother. Doug has never slept in the same bed
with another male. Hampered by Doug's phobic fear of physical
intimacy, the characters are forced to examine their feelings about
friendship and each other. As the battle lines are drawn, they get
little sleep and a night full of surprises. Based on a cross-country
trip taken by two of Tolan's friends, it is filled with potholes and
detours, macho insecurity, wry bonding and some gentle jabs at what
being male means to both. (First presented in 1989 at Manhattan Punch
Line Theatre; Cast: 2 male)
What
people say:
"The
dialogue [in Peter Tolan's Pillow
Talk] is
incisive, revelatory and full of wit, without a wasted word, and each
moment vibrates with humor that derives from character rather than
situation. A gem of a piece." — Los Angeles Times
Stay Carl Stay, Best Half Foot
Forward and Pillow
Talk were first presented during the Manhattan Punch Line
festival of one-act comedies. Stay Carl Stay and
Pillow Talk were performed 1993 as an evening of
entertainment at Solebury Theatre during the New Hope Performing Arts
Festival. The play has
Pillow Talk has become
a favourite scene study vehicle in acting classes and workshops and
Stay Carl Stay and
Best Half Foot Forward
have been performed
by community theatre groups at one-act festivals.
About the Playwright:
Peter
Tolan is an American television writer-showrunner and
screenwriter. He is probably best known as co-creator of TV shows The
Job and Rescue Me, and co-writer of Analyze This,
and its sequel, Analyze That. After graduating from the
University of Massachusetts, he wrote and performed in off-Broadway
plays. He started his career on the writing staff of television
sitcoms and then became a writer and producer on Murphy Brown
and The Larry Sanders Show. From there, he made his foray into
movies with the screenplays for My Fellow Americans,
Bedazzled, and America's Sweethearts.
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