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Straight White Male: Performance Art Monologues

Straight White Male: Performance Art Monologues
Your Price: $27.00 CDN
Author: Michael Peterson
Publisher: University Press of Mississippi
Format: Softcover
# of Pages: 222
Pub. Date: 1997
ISBN-10: 0878059784
ISBN-13: 9780878059782

About the Book:

An engaging exploration of the white heterosexual male as portrayed by professional monologists.

Mass media images of the male are central to popular culture. The book Straight White Male analyzes a genre known as "performance art monologues" as presented by white heterosexual men. Its focus is stand-up comedians and stage and screen artists, including Spalding Gray, Eric Bogosian, Josh Kornbluth, Rob Becker, Andrew Dice Clay, Wallace Shawn, and Danny Hoch, whose acts portray and investigate power, politics, privilege, and community.

Solo work has become the dominant form in performance art, and stand-up comedy has returned to the front row of popular culture. While apparently free of many traditional theatrical trappings, the monologue amplifies the power that performers wield over their audiences.

The chief examples examined here are Gray and Bogosian. Gray's minimalist autobiographical storytelling is quite different from Bogosian's impersonation of dozens of fictional characters in a single show. Their performances (and the books, recordings, and feature films that re-market them) have marked these two as the leading practitioners of their own subgenres of monologic performance art.

This fascinating examination connects performance studies with the monologue traditions in theatre history, with such contemporary cultural activities as the men's movement, and with the current interest in queer theory and gender studies.

Acknowledging the complex politics of all performance, whether avant-garde or popular, this first book-length critique of heterosexuality, masculinity, and whiteness in solo performance asserts that straight white male monologues create an illusion of community rather than engaging with the politics of identity as a social fact.

About the Author:

Michael Peterson is Associate Professor in the department of theatre and drama at the University of Wisconsin-Madison since 2000 and previously taught for five years at Millikin University in Illinois. His research and creative interest centers on the politics of performance, particularly in the interplay between experimental theatre/performance art and popular performance. He is the author of the book Straight White Male, a study of identity privilege in performance. He has directed plays by Aphra Behn, Caryl Churchill, Christopher Durang, William Shakespeare and Naomi Wallace, as well as numerous collaborative original performance events.