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The Occupation of Heather Rose
The Occupation of Heather Rose
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Author: Wendy Lill Publisher: Talonbooks (cover image may change) Format: Softcover # of Pages: 63 Pub. Date: 2008 ISBN-10: 0889225931 ISBN-13: 9780889225930 Cast Size: 1 female
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About the Play:
Finalist for the 1987 Governor
General's Award for Drama (Canadian equivalent of the Pulitzer Prize)
The Occupation of Heather Rose
is a full-length drama by Wendy Lill. The titular character
Heather Rose, a young and inexperienced nurse, goes north to a remote
Canadian Aboriginal community. Her adventure turns into a painful
exploration of her own fragile cultural heart of darkness. A
one-woman tour-de-force for a powerful actress, The Occupation
of Heather Rose builds in one of the great outburst monologues in
Canadian theatre history.
The Occupation of Heather Rose
is a classic "stranger in a strange land" story. The play
references both Lewis Carroll's Alice in Wonderland and Joseph
Conrad's Heart of Darkness, books that followed an
ill-equipped lone stranger plunging into a surreal and dangerous
realm. In accordance with those, and the primary story about Heather
Rose striding with false confidence into the desolation of a northern
First Nation, prepare the audience for the nightmare of dislocation
and alienation this one-woman show evokes. Young, naive, and
inadequately trained, urban health care/social worker Heather Rose
flirts with the pilot as she wings her way north in a float plane, to
land in the
isolated and remote Snake Lake Reserve,
primed to make a difference. She is met, when she lands, with what
she initially perceives as a careless disrespect for anything she has
understood to date of culture and civilization. The destitute,
alienated Aboriginal people she has been sent to "move forward"
meet her bright imperial gaze with the blank stares that arise from
relentless years of exploitation and broken promises. Nine months
later Heather Rose is "bushed" – utterly disillusioned by
the growing horror of her new-found realization that what her culture
has to offer this community: the alcohol bootlegged in by the
charming bush pilot; the unsuitable clothing sold by the thoughtless
proprietor of the general store; the gasoline used as much by the
youth of the community to get high as to afford them access to what
has become the tractless wilderness they inhabit; she finally
understands is less than nothing – total dependency. She returns,
compelled, like Marlowe in Heart
of Darkness to tell her story to others – like her
missing supervisor, whose empty office she "occupies" on
her return, illustrating her monologue of despair on a blackboard to
an absent colonial authority for which the audience stands in as its
silent and complicit witness.
The
Occupation of Heather Rose premiered in 1985 at the Prairie
Theatre Exchange in Winnipeg. Since
then the play enjoyed
widespread acceptance among leading regional theatres across
Canada.
Cast: 1 female
What
people say:
"Playwright
Wendy Lill takes you on an incredible
intellectual and psychological journey ... this kind of theatrical
experience is not to be missed." — Georgia
Straight
"An
achingly honest reminder of the naively enthusiastic attempts that
each of us has made to wade bravely into unfamiliar territory."
— Toronto Star
"Heather
Rose is a structurally seamless play full of wit, vivid imagery and
poignancy." — Halifax Mail Star
"A
virtuoso solo showpiece ... an entirely human but deceptively
unsentimental play." — Vancouver Province
"Ultimately
The Occupation of Heather Rose is a plea for
forgiveness and understanding as Heather does battle with the darker
part of her nature, that 'heart of darkness' that 'occupies' us all
to some degree." — Gabriola Sounder
About the Playwright:
Wendy
Lill is a Canadian playwright and former parliamentarian who
worked in various parts of Canada, finally settling in Nova Scotia.
Her experiences in journalism and broadcasting influenced and
encouraged her to "fictionalize real incidents and events."
She has been described as a writer of "contemporary social
issues with a clear-cut women's perspective." Her plays are
produced in professional and community theatres and universities
across Canada and internationally.
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