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The Tragedie of Hamlet, Prince of Denmarke (Applause First Folio Editions)

The Tragedie of Hamlet, Prince of Denmarke (Applause First Folio Editions)
Your Price: $17.95 CDN
Limited Quantities
Author: William Shakespeare, edited by Neil Freeman
Publisher: Applause Theatre & Cinema Books
Series: Applause First Folio Editions
Format: Softcover
# of Pages: 216
Pub. Date: 2000
ISBN-10: 1557833788
ISBN-13: 9781557833785

About the Book:

HARD TO FIND BOOK, only a very limited number of copies are still available.

If there ever has been a groundbreaking edition of The Tragedie of Hamlet, Prince of Denmarke that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts edited by Neil Freeman.

The Applause First Folio Editions compare the differences between the first printings and the best modern texts of Shakespeare's works, with special emphasis on issues relevant to each particular play:
• Faithful reproduction of the text as presented in the First Folio of 1623, in clear and legible modern type, with original compositors indicated
• Ample exercises for practice and inspiration.
• Comprehensive introduction for each of the plays.
• Footnotes discuss many of the Quarto and modern text variations
• Glosses highlight scholarship of the last four centuries.
• Opposite each page of text is a blank page for reader notes and comments.
• New easy coding system guides readers directly to single topics far more swiftly and efficiently than comparable attempts in modern editions.
• New visual clues allow readers to explore where modern texts have altered the original First Folio line structure (in some plays involving as many as 200 lines or more).

The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes by Neil Freeman also advise the reader on variations between Folios and Quartos.

The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan look, none of them is easily and practically utilized in general Shakespeare studies or performances.

What people say:

"Neil Freeman is handing you the same text that William Shakespeare handed his actors ... destined to become standard texts in schools, universities, and libraries." — Tina Packer, Artistic Director, Shakespeare & Co.

"At last! A readable form of the original Folios. Invaluable to conceiving and creating one's own interpretation." — Richard Rose, Director, Stratford Festival

"They are extremely actor-friendly and share the greatest thing to happen for Shakespearean actors at the end of this century, an annotated, unedited original text, spelling mistakes and all." — Mark Rylance, Artistic Director, Shakepeare's Globe

"What Applause has issued are not facsimiles of the 1623 folio, but modern-type versions of the original spelling texts (under the direction of-and with commentary by-the scholar Neil Freeman). Versions designed not just to be read but to re-create for actors and directors something closer to the unmediated playscripts used by Shakespeare's own company. To strip away the accretions of overpunctuation, of act- and scene-divisions imposed by later editors; to recapture the feel of the plays' first performances." — The New York Observer

About the Author:

William Shakespeare was born in Stratford-upon-Avon, England, in 1564. He is widely regarded as the greatest writer in the English language

Neil Freeman (1941-2015) was Associate Professor Emeritus in the Department of Theatre, Film and Creative Writing at the University of British Columbia (UBC). He trained at the Bristol Old Vic Theatre School. His awards include the John Gielgud Scholarship; USA National Endowment of the Arts Major Artists's Fellowship; the Joseph G. Green Fellowship from York University, and a minor Scholarship from SSSHRC. He worked with the Will Geer Theatre, British American Drama Academy, The National Theatre School, the Centre for Actors Study, the National Voice Intensive and the Stratford Festival.