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War and Four Other Plays
War and Four Other Plays
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Author: Jean-Claude van Itallie Publisher: Dramatists Play Service (cover image may change) Format: Softcover # of Pages: 74 Pub. Date: 1967 Edition: Acting ISBN-10: 0822212021 ISBN-13: 9780822212027
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About
the Play:
I'm Really Here has long been a favourite of acting teachers for Female/Male Scenes.
War and Four Other Plays contains a collection of five
one-act plays by Jean-Claude van Itallie, seminal off-Broadway
playwright, famed for his landmark triptych of counter-culture plays, America
Hurrah.
War: Two actors, one young, one old, and a bizarre lady,
engage in a series of fantasy-like improvisations, articulating the
relentless war that humankind is doomed to wage against harsh reality
and the inexorable passage of time. (Premiered in 1963 at Van Dam
Theater and re-mounted in 1964 at the now legendary Caffe Cino in New York City; Cast: 1 female, 2 male)
Where Is De Queen?: A brilliant, haunting, and strikingly
imaginative play, which illuminates the shadowy reaches of a man's
dream – taking place in that brief but timeless moment between
sleep and sudden wakefulness. (Premiered in 1966 at the famed LaMama ETC in New
York City; Cast: 4 female, 5 male)
Almost Like Being: A delightfully acerbic spoof of the
unreal world of big screen movie personalities and the American
custom of accepting any code of behaviour, as long as it is dedicated
to the making of a buck. (Premiered in 1964 at Van Dam Theater in New
York City; Cast: 2 female, 3 male)
The Hunter And The Bird: Humorous, fantastic, and yet
telling in its perceptions, this brief but arresting exercise in
absurdist style delights and intrigues both by what is said and what
is left unsaid. (Premiered in 1964 at Sheridan Square Playhouse in
New York City; Cast: 1 female, 1 male)
I'm Really Here: Tackles
the wide-eyed innocence of those who believe that they will be loved,
just because they are American. An innocent American girl in Paris, a
dashing Italian guide, and romance – all handled with a
marvellously stylized tongue-in-cheek parody of the American-in-Paris
movies, which treats the play as if it were a movie being filmed. The
play has become a favourite scene study vehicle in acting classes and
workshops. (Premiered in 1964 at Van Dam Theater in
New York City; Cast: 1 female, 1 male)
About the Playwright:
Jean-Claude van Itallie
(1936-2021) was one of the most distinguished playwrights of the
American avant-garde. Born in Brussels, Belgium, he was three when
his family fled the Holocaust to America as refugees in 1940. He grew
up on suburban Long Island, graduated Harvard in 1958, and in the
1960s was a seminal force in the explosive New York Off-Broadway
theatre. He may be best-known for America Hurrah (his landmark
counter-culture trilogy comprised of Interview, TV and
Motel), The Serpent, Tibetan Book of the Dead,
and his classic translations of Chekhov's major plays, which are prized by
directors and actors for their clarity and actability, are
possibly the most performed Chekhov versions on the American stage.
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