About
the Book:
HARD TO FIND BOOK, only a very limited number of copies are still
available.
It was a Hollywood meltdown... An Industry at War in the
Internet Age
The Writers Guild of America (WGA) went on strike in 2007. The big
issue in contract talks between the WGA and the Alliance of Motion
Picture & Television Producers (AMPTP), which represents the
major studios, TV networks and independent producers: a share of digital revenues for TV
programs streaming in what was then the emerging digital realm on the
Internet, content known as "new media" –
projects distributed or rerun over the internet, on iPods or cellphones. The writers hit the
streets with picket signs and the strike was settled one hundred
turbulent days later – but then the Screen Actors Guild (SAG)
spiralled out of control, unwilling to accept the same terms but
unable to muster its own strike vote. As the housing bubble burst and the
US national economy collapsed, idled writers and actors sacrificed
millions of dollars in film and TV wages in order to pursue pennies
in new media. All told, the turmoil lasted about two years.
But why? Analyzing events as they unfolded is a recognized expert,
Jonathan Handel, a Los Angeles entertainment attorney and
journalist. In Hollywood on Strike!, he lays bare the
contracts, economics and politics swirling behind the paradox of
entertainment industry labour relations. He is a uniquely qualified
guide: a former associate counsel at the WGA, his law practice
focuses on new media and entertainment. He was described as "one
of the most-quoted sources on the strike."
The 2007-2009 contracts, so hard fought, brought scant months of
labour peace: re-negotiations began in 2010, and recur every three
years. That makes Hollywood on Strike! essential reading for
anyone who wants to understand Hollywood in the streaming age. The
book includes 80 pages of reference materials:
abbreviations and glossary, graphic timeline, index, and more. Also
included is a "Highlights" list of selected sections for
readers who wish to focus on milestone events and analysis –
including Handel's unique perspective on why Hollywood strikes occur
and what can be done to end the cycles of labour unrest.
What people say:
"Jonathan
brings the insights of an insider – and the instincts of a reporter
– to the complex world of Hollywood labor." — Los
Angeles Times
"Hollywood's
most sensible legal eagle. Jonathan
Handel was
one of the most reliable, fair-minded and quotable sources during the
Writers Guild of America strike."
— Kansas City Star
"I'm going to read this book
cover to cover." — Ken Howard,
Former President
of Screen Actors Guild and first President of SAG-AFTRA
"Labor relations in the
entertainment industry are complex and incredibly nuanced. Handel's
appreciation of the dynamics and his understanding of the issues are
commendable." — Roberta Reardon, Former
President of American
Federation of Television and Radio Artists (AFTRA)
"Handel chronicles the WGA
strike and SAG negotiations with an attorney's eye for detail and a
blogger's distinctive point of view." — Carol
Lombardini, President of
Alliance of Motion Picture & Television Producers (AMPTP)
About the Author:
Jonathan Handel is
a Los Angeles-based attorney
specializing in the areas of entertainment, new media, technology,
and intellectual property transactions. He has lectured and
taught courses on entertainment unions and guilds at Southwestern Law
School, and as an adjunct professor at USC and UCLA Law Schools. He
has covered entertainment labour and
various other business matters as a Contributing Editor for
The Hollywood Reporter and his writing also appears in several
other outlets. As a commentator, his views have appeared in the media
hundreds of times in the United States and abroad.