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Abundance
Abundance
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Author: Beth Henley Publisher: Dramatists Play Service (cover may change) Format: Softcover # of Pages: 68 Pub. Date: 1991 Edition: Acting ISBN-10: 0822200058 ISBN-13: 9780822200055 Cast Size: 2 female, 3 male
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About
the Play:
Abundance has long been a favourite of acting teachers for
Female Monologues.
Abundance is a full-length drama by Pulitzer Prize-winning
author Beth Henley. Wickedly funny and deeply touching,
Abundance follows the adventures of two mail-order
brides, on their twenty-five year journey across the American
frontier and revels in their lifelong friendship – a bond strong
enough to withstand a kidnapping, outrageous catastrophes – and
even husbands.
Abundance is a hard-hitting story of two women, each a
pioneer in her own way. Bess Johnson and Macon Hill are mail-order
brides who meet while waiting for their future husbands – whom
neither has yet seen – to pick them up to start life in a small
town on the High Plains of Wyoming Territory in the 1860s. Bess is a
romantic while Macon Hill is ambitious and determined about getting
on with a life in the West, one that promises to be full of
possibility. The husbands arrive. The brutal, uncouth Jack is filling
in for his late brother, who had wooed Bess by mail, and he quickly
awakens her from her dream of romance. Macon's husband is William
Curtis, a widower with one eye and a scarred face. Life becomes very
difficult for Bess and Jack, and Bess is constantly abused and
totally unappreciated. They struggle – and fail – to make ends
meet. On the other hand, Macon is hardly tolerant of William,
although the couple is affluent. One Christmas Eve, in a rage, Jack
burns down the cabin. Macon and William take the couple in and start
living together for a longer time than expected. Bess and Macon,
having forged a strong bond, decide that some day they will strike
out on their own, though Macon is reluctant to actually do so. Some
time later, while celebrating their mutual wedding anniversaries,
Jack and Macon become lovers at the same time Bess is kidnapped by
the local Native American tribe. Macon, Jack and Will continue to
live together over the years, believing that Bess has been killed.
During her absence, the fortunes of Macon and Will have greatly
diminished. However, Bess' return brings a change in fortune when
Professor Elmore Crone decides her captivity tale would make an
excellent book. Bess agrees to tell the story of her kidnapping and
escape for publication and the lecture circuit. With the help of the
Professor, she becomes the country's hottest sensation with this
dramatic – and embellished – tale. Jack develops a new love for
her, while Macon and Will separate and fail miserably at their new
business pursuits. Many years later as Bess is getting ready to
retire and Macon is ready to die, the women reconcile as they muse
over how they have and have not "savored the boundlessness of it
all."
Abundance premiered in 1989 at South Coast Repertory in
Costa Mesa, California. The play has become a favourite scene study vehicle in acting classes and workshops and has been successfully staged at several professional theatres across the US.
Cast: 2 female, 3 male
What people say:
"Abundance
percolates with dark laughter … this is its author's most
provocative play in years … Given Ms. Henley's ability to spin the
tallest of tales, Abundance sometimes has the
tone of a rambunctious tongue-in-cheek Twain story, with echoes of
Thomas Berger's Little Big Man." — New York Times
"a real treat…." —
The New Yorker
"Part of the pleasure of the
play is seeing the women's differing destinies spelled out deftly,
often comically. Henley's gift for the telling image and the absurd
situation comes into play regularly." — Variety
"Henley has an unmistakable
talent for making human desperation seem funny, complex and
unpredictable." — Village Voice
About the Playwright:
Beth
Henley is an award-winning American playwright, screenwriter, and
professor best known for her play Crimes of the Heart
(Pulitzer Prize in Drama and the New York Drama Critics Circle Award
for Best American Play). Her plays have been produced on Broadway and
continue to be well-received and widely popular, both in professional
and regional theatres throughout the United States as well as
internationally and translated into fourteen languages.
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