We accept PayPal, Visa & Mastercard
through our secure checkout.
|
Chapter Two
Chapter Two
|
Author: Neil Simon Publisher: Samuel French (cover may change) Format: Softcover # of Pages: 150 Pub. Date: 2010 Edition: Acting ISBN-10: 0573607567 ISBN-13: 9780573607561 Cast Size: 2 female, 2 male
|
About
the Play:
Chapter Two has long been a favourite of acting teachers
for Female Monologues, Male Monologues, Female/Male Scenes and
Male/Male Scenes.
Chapter Two is a full-length comedy by Neil Simon. A
successful writer is still mourning the loss of his beloved wife. His
brother, a born matchmaker, is determined to help him get out of his
emotional tailspin by setting him up on a series of unsuccessful
dates. Eventually, a grudging five-minute meeting with a recently
divorced actress blooms into a passionate romance. Chapter Two
is heartfelt comedy about love the second time around.
Chapter Two is widely perceived to be an autobiographical
revelation of Neil Simon's coming to terms with the death of
his first wife from cancer, followed by his love affair and
subsequent marriage to actress Marsha Mason. This very funny but
poignant play is based around four brilliantly penned characters:
George Schneider, a recently widowed spy novelist; Jenny Malone, a
levelheaded actress; Leo, George's garrulous but loving younger
brother; and Faye, Jenny's utterly clueless but enchanting friend.
George has not moved on from the untimely demise of his wife, despite
Leo's best efforts to hook him up with other women. Then Leo comes up
with Jennie Malone, who's just walked out of a terrible marriage to a
football player, and in a very short space of time they're in love.
Still, it's a bumpy trip on the road to Dreamland for these
not-so-young lovers. George and Jennie stumble on, overcoming both
their hesitation on the rebound and emotional neediness. But George's
memories catch up with him and he soon finds himself trapped between
the past and the present, and the new relationship starts to crumble.
Can he reconcile his past and move forward with Jenny, a sentimental
woman with a strong head on her shoulders? Do they give up or work
things out? In a hilarious, farcical subplot, Leo has a fling with
Faye, Jennie's neurotic married friend. Although it seems like a
heavy subject to deal with, Neil Simon's wonderful narrative
and witty and humorous dialogue makes Chapter Two an immensely
likeable piece. In George and Jenny, he shows us complexity and
simplicity. In Leo and Faye, he presents us with two of the most
confused yet adorable characters that we connect with right from the
word go.
Chapter Two had a pre-Broadway engagement in 1977 at the
Ahmanson Theatre in Los Angeles and won the Los Angeles Drama Critics
Circle Awards for Distinguished Production and Distinguished
Playwriting. It premiered later that same year at the Imperial
Theatre and ran for over a year on Broadway, receiving a Tony Award
nomination for Best Play. The
play has become a favourite scene study vehicle in acting classes and
workshops and is regularly performed in regional repertory, high
school, college, and community theatre productions.
Cast: 2 female, 2 male
What people say:
"A sure smash." —
Variety
"Tender and funny… one of
Simon's best works." — Chicago Tribune
"Lovely whimsical and touching
and always funny...most of the time downright hilarious." —
New York Post
"This was in some ways the
turning point for Simon, the moment when he started to use his own
life as something more than an excuse for a gag-fest. It was written
as a tribute to his second wife, and her tolerance with his
long-lasting grief over the death of his first wife…There is
something very painful here, in among the gags, about a man trying to
come to terms with death rather than a new life." — New
York Times
Neil Simon (1927-2018) was America's most prolific
playwright. He had dozens of plays and nearly as many major motion
pictures produced. He was showered with more Academy and Tony
nominations than any other writer, and is the only playwright to have
four Broadway productions running simultaneously. His plays have been
produced in dozens of languages, and in 1983 became the only living
playwright to have a New York theatre, the Neil Simon Theatre, named
in his honour. His true success, however, is in his unique way of
exposing something real in the American spirit.
|
|
|
|